This is why the whole remains open [...]

Apr-Sep 2025
Motion Graphic Designs for Exhibition: 2024 Goldsmiths MAMFA Computational Arts Degree Show, London

Goldsmiths MA/MFA Computational Arts Offical Instagram release

Goldsmiths MA/MFA Computational Arts website

In July and August 2024, I lead the design team made the main visuals and motion graphic designs for the Goldsmiths Computational art degree show!

During that time I am very busy, with all kinds of things going on. The future is still uncertain, and I am under a lot of pressure. My mental state is not very stable. Now I am working on my graduation project, a lot of exhibitions, looking for a job without any expectations, and spending as much time as possible with my friends to heal myself.

Fortunately, I can still make something for everyone. This time I led the design team of our degree show. Thanks to all team members, we looked for references and ideas together, and finally combined everyone's ideas as much as possible to create the current visual.

In general, after making this set of motion graphics, I find AfterEffect is fun, and I am a little more confident than before. We have drawn up 6 pathway categories, represented by different colors and shapes. At the same time, we use refreshing colors, creative coding and typography, hoping to show the cuteness, richness and vitality of a group of artists who code.

I also participated in the exhibition as one of the artists.

Poster

Introduction

MA/MFA Computational Arts Degree Show
August 29 through September 1, 2024
Private View: August 29, 5-9PM
Hatcham Church Hall, St. James’s, London SE14 6AD
Opening Hours: 12 - 9pm

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This is why the whole remains open [...]

The 2024 Goldsmiths MA/MFA Computational Arts degree show features over 90 artists exploring live performances, interactive installations, AR/VR, web art, sound and video.

Embracing a decentralized ethos, this exhibition challenges traditional hierarchies through distributed authorship and open dialogue. The result is a fluid tapestry of computational creativity, weaved by six chromatic paths, throughout the exhibition.

Purple: Memory, Time, and Subconscious Exploration
Yellow: Digital Archives and Cultural Artifacts
Light Blue: Patterns and More than Human Intelligence
Blue: Mapping, Worldbuilding and Reclaiming Histories
Pink: Identity and the (In)computable Self
Green: Live Performances and Immersive Experiences

The church’s layered architecture serves as both metaphor and canvas, expanding the exhibition beyond physical confines. This open-ended approach mirrors computational art‘s nature—always in flux, resisting finality, and constantly negotiating technological engagement.

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Label and stickers

We use stickers with different shape to classify everyone's works.